Project Archive

2005

Get Off Me

“You cannot miss this company.” — Teatro Madrid

Premiered July 2005

Artists

  • Concept - Jen Wren

  • Choreography - Jen Wren & Originating Cast

  • Composition - Richard Easson & Josh Davern

  • Costumes - Selina Nightingale

  • Lighting - Mark Baker

  • Originating Cast - Lee Davern, Mel Newing, Jen Wren & Cecilia Vium

  • Photography - Richard Easson

“Get Off Me!” explores the philosophy of “Mental Matter,” examining how body language reveals the physical weight of internal struggles and the suppression of such. It considers how people carry “mass” through their posture and behaviour—often feeling the burden of the weight, without understanding its source or ways to minimise the effects.

In this work, a young man’s life troubles are given a physical presence, demonstrating the effect of “carrying the weight of the world on your shoulders” and the unrecognised and “invisible” burdens people can often carry. 

Integrating humour and theatricality, “Get Off Me!” further draws on theories of therapy, “offloading,” and the various ways people are both advised or attempt to get rid of their own troubles.

Our partners and stakeholders for Get Off Me, to whom we are forever grateful, were: Arts Council England, Yorkshire Dance, Madrid Conservatoire of Dance, Community Firefighters (Madrid).

“I really liked the humour and found the duet material of the "mind- imps" very beautiful as well as obviously indicative of mental threats and the effect of their insidiousness and of their overwhelming of the male character.”

June Gersten Roberts

Touring and Accolades

Get Off Me Get Off Me’ was described by audiences as “Excellent and very communicative”, and is a serious yet light-hearted choreography which creates relatability. It was performed from 2005 - 2006. Touring activities included a premiere at Yorkshire Dance, Leeds, as well as workshops and performances at venues throughout Yorkshire and in Madrid.

In this work Wren was becoming known for her handling of complex topics and for using choreography to physically represent challenging ideas and philosophies and audiences were here for it.

“Very emotional work… More please” Audience Member

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2006 - The truth, the whole truth, and nothing like the truth

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2004 - Entiendes